Good Research Paper Topics
Good Research Paper Topics
The choice of the good research paper topic determines whether your paper will fail or win. Almost any topic can become a good research paper topic. Everything depends on your interest in the topic. If the topic is boring in your opinion, your teacher will not be impressed with it as well. We understand that research paper writing is not easy for everybody because not all people are born writers. We offer you to try our custom research paper help designed with the hope to assist you with research paper writing. Our essay writers are experienced enough to write your research paper from scratch. In addition, you may look at our free blog comprised of free research papers on a wide range of topics.
Good Research Paper Sample
Music made Whitman a kind of prophet. His perceptions, so profoundly believed in, must be expressed to the world and in such a manner that the world could not choose but hear. The world, or more particularly America, must be electrified. It must become a vast audience, and he must be the singer. He must chant his songs with pulses of fire, like the great bards of antiquity. He must utter with strong, imperious voice the truths which lay in the hearts of all men. He must be the voice of all the inarticulate souls who had not been awakened as he had been. He must "translate" his inspirations into poetry. Those overpowering moments in opera must become starting points for "translations" of his own, in which he and his readers might recapture the excitement of intimate artistic communication.
Only vocal music would serve as the vehicle of these vast chants, for only vocal music seemed sufficiently inspirational. Conventional poetry seemed wholly inadequate for the special task. In opera there was a larger, freer music, and it was this that he would need to capture. He would have to devise "songs" which should somehow preserve the sound of the voice and stimulate the reader or listener as opera could do. This would serve two purposes: it would provide the public with something like the ennobling art of opera, which, ideally, would itself have become widely available for the people. But his poetic chants would in some measure make up for the fact that opera could probably never surmount the obstacles to widespread American acceptance. Furthermore, if he could make his poems song-like, his own highest purposes would be served.
In some such way did opera first inspire Whitman to poetry and then color his conception of the kind of verse which would best serve his needs. Then, fired with ambition to compose, he was faced with the task of devising a suitable technique. If conventional methods would not serve, something must be found to take their place, for no poetry is formless. Inevitably he turned to opera, and, as he himself said, followed its methods strictly in the structure of his songs. In spite of his protestations, readers should not look in Whitman's work for the kind of musical evidence we can find in that of a trained and practicing musician like Sidney Lanier. Whitman's technical knowledge of music was always elementary, and he seemed to prefer it that way.